Skip to main content

Review: 31 Bond Street, by Ellen Horan


Pages: 343
Original date of publication: 2010
My edition: 2010 (Harper)
Why I decided to read: Heard about it online somewhere
How I acquired my copy: ARC through the Vine, February 2010

31 Bond Street is the fictional story of a real murder. Dr. Harvey Burdell is a respected dental surgeon in New York, who meets Emma Cunningham, a widow, in Saratoga, in the summer of 1856. After beginning a relationship with her, he invited her and her daughters to live with him at his home on Bond Street. When things soured between them, and Dr. Burdell was brutally murdered in his office, Emma was the first suspect. Henry Clinton, one of the foremost lawyers in the United States, was hired to defend her, in one of the most sensational murder trials of the mid-19th century.

The book is told in two different ways: first there’s the “present day” stand, which covers the events after the body of Dr. Burdell was discovered by his servants; and the second, which takes the reader from Dr. Burdell and Emma’s first meeting. The description on the back of this book describes it as being like Caleb Carr’s work; while I think this book is good, I don’t think it’s quite at the level of The Alienist, or its sequel, Angel of Darkness (there’s a lot more psychological stuff in those two books, which I highly recommend if you’re interested in the period). But, like in Caleb Carr's books, here mid-19th century New York is described in vivid detail. Lots of research and in-depth descriptions of the sights, sounds, and smells of the time make this an enjoyable read. The murder and trial are of course the focal points of the book, but I do love books that make New York City a living, breathing character, too.

And that leads me to another thing I really liked about this book: the trail scenes themselves. The author apparently learned about the subject matter of this book by reading about it the way that a nineteenth century person would have—by reading newspaper articles, and then researching the story from there. Henry Clinton as a character gets lost a bit in the shuffle (but who wouldn’t), but Emma Cunningham herself is the star of this book. I’m not quite sure that I like how the mystery was wrapped up, but I can see why the author had things turn out the way they do. The story is told from Emma’s point of view, but you never really know until the end what will happen, or what kind of person Emma really is. So what is she: innocent victim or a cold murderer?

I really enjoyed the story, but there was a lot the author left out, or put in that didn’t necessarily need to be there (Clinton’s wife, for example; he didn’t marry until long after the events of this book took place, but the author has him married here—not for any reason I can see). Also, apparently, Emma pretended she was pregnant during the trial, and there was another boarder at 31 Bond Street who was involved in the case— interesting little details that I would have liked to have seen here. Still, as I’ve said, I really enjoyed this wonderful novel about nineteenth century New York.

Comments

Ellen is very talented, that's for sure ! If you'd like a non-fiction account of the Burdell case, take a look at Butchery on Bond Street that I published in 2007.
Clare said…
I've been seeing this a lot around the blogosphere recently- it sounds interesting, but not exactly my cuppa. I'm glad you loved it, though!

Popular posts from this blog

Another giveaway

This time, the publicist at WW Norton sent me two copies of The Glass of Time , by Michael Cox--so I'm giving away the second copy. Cox is the author of The Meaning of Night, and this book is the follow-up to that. Leave a comment here to enter to win it! The deadline is next Sunday, 10/5/08.

A giveaway winner, and another giveaway

The winner of the Girl in a Blue Dress contest is... Anna, of Diary of An Eccentric ! My new contest is for a copy of The Shape of Mercy , by Susan Meissner. According to Publisher's Weekly : Meissner's newest novel is potentially life-changing, the kind of inspirational fiction that prompts readers to call up old friends, lost loves or fallen-away family members to tell them that all is forgiven and that life is too short for holding grudges. Achingly romantic, the novel features the legacy of Mercy Hayworth—a young woman convicted during the Salem witch trials—whose words reach out from the past to forever transform the lives of two present-day women. These book lovers—Abigail Boyles, elderly, bitter and frail, and Lauren Lars Durough, wealthy, earnest and young—become unlikely friends, drawn together over the untimely death of Mercy, whose precious diary is all that remains of her too short life. And what a diary! Mercy's words not only beguile but help Abigail and Lars

Six Degrees of Barbara Pym's Novels

This year seems to be The Year of Barbara Pym; I know some of you out there are involved in some kind of a readalong in honor of the 100th year of her birth. I’ve read most of her canon, with only The Sweet Dove Died, Civil to Strangers, An Academic Question, and Crampton Hodnet left to go (sadly). Barbara Pym’s novels feature very similar casts of characters: spinsters, clergymen, retirees, clerks, and anthropologists, with which she had direct experience. So it stands to reason that there would be overlaps in characters between the novels. You can trace that though the publication history of her books and therefore see how Pym onionizes her stories and characters. She adds layers onto layers, adding more details as her books progress. Some Tame Gazelle (1950): Archdeacon Hoccleve makes his first appearance. Excellent Women (1952): Archdeacon Hoccleve gives a sermon that is almost incomprehensible to Mildred Lathbury; Everard Bone understands it, however, and laughs